A Quilt Batting Rack / Stand / Storage Solution

January 3rd, 2011
So, I’ve been waiting a fair while for the husband to construct me a batting rack out of 2x4s so I can get all of my quilt batting rolls off the floor / wall and somewhere usable.  Somehow, the husband just hadn’t gotten around to it.

Quilt Batting Stand

My Quilt Batting storage solution from the container store

While I was wandering around the container store (a very addictive place, I may add), I came up with a very elegant solution.

I bought two inter-metro wire shelving units, 4x 6′ closet rods from elfa, and 4x 24″ closet hanger rods from intermetro.  The 24″ closet rods themselves I pitched, but used the hanging brackets to suspend the 6′ closet rods between the two shelving units.  I have space for 4 rolls of quilt batting (three are shown in the picture), plus you can purchase extra shelves for the inter-metro units — you can see those on the right-side shelf.  (I hate the shelving that’s 6′ tall, but only comes with 4 shelves — I need way more than that!)
I’ve looked around on the web for quite a while for quilt batting storage racks or stands, and they are difficult to find.  I’ve found some homemade ones out of wood, and one commercial one that is quite expensive.  I really like this solution, since I get extra storage space and a great, elegant batting storage option.  This works in my (currently) unfinished basement (so it doesn’t need a wall to lean against), but will also look great once the room is finished.  For all of you quilters out there looking for a batting answer — I hope this helps!

What quilting do I pick? Consider the audience

January 1st, 2011

I would say that over half of the quilters that I talk to do not know what kind of quilting would be best for their quilt.  I ask them to talk about the quilt, who it is for, etc., and that helps to determine the quilting.  I’d say that 90% of the quilts I finish are gifts for other people (you guys are amazingly generous!).  So, consider the audience to help determine the most appropriate / cost-effective longarm quilting selection.

1.  Baby / small children quilts:  Here, I think it’s fun to do a pantograph/ edge-to-edge (E2E) type of quilting.  It is very cost effective, and by picking interesting themes, it gives the child another layer of things to look at as they grow up.

2. High School / College students:  I hate to say it, but students can wreak havoc on quilts.  They’re not so interested, generally, in the quilting as much as “can it fit my extra-long twin bed in my dorm room?”  Here, I would save your money and do a general meander.  If the quilt makes it through all four years of college, you’re a winner!

3. Adult male friends: Most guys don’t understand quilts.  (“You take perfectly good fabric, cut it to pieces, and sew it back together again?  Why?”)  However, they do understand texture, and that’s what quilting does for the quilt top.  In this case, I’d do a male-type tight meander kind of stitch, something that gives a “manly” feel to the quilt (often hooks or straight lines will do this).  Not very expensive, but gives the right feel to the quilt.

4.  Adult female friends, but maybe not crafty:  Women will understand quilts more, but you don’t have to spend a huge amount of money to get a nice-looking quilting job.  Quilt the top using an E2E pattern that either reflects the quilt fabrics or something she likes (gardening, flowers, etc.).

5.  Crafty female friends, yourself, but not a show quilt:  Here, you could either go with an E2E pattern or start to do custom block work.  It depends on the purpose of the quilt — is it a wall-hanging, an active bed quilt, or something that will go in the closet?  If this is your super-favorite quilt, consider spending more money on the quilting so it turns into a piece you would like to display.

6. Competition / show quilt:  This is the most expensive, carefully done kind of quilting, starting with stabilizing the quilt using stitch-in-the-ditch, custom work (blocks, feathers, etc.) and specialized border work.  Expect it to take a long time and cost a fair bit of money.  However, for this kind of quilt, the effort is worth it.
I would say that 90% of the quilts I do are either meander or some form of E2E quilting — primarily because you can get great effects with not a huge amount of investment!  Because I have a robotic system, you’re going to get great detail on the E2E quilting, and there are thousands of options to choose from.  So, if you have to guess at a type of quilting, choose the pantograph category — you probably won’t be far off, and you’ll have a good idea of the money you’ll spend on your quilt!

Don’t be a batting snob!

December 29th, 2010

Sometimes, I troll around other longarm quilting sites to see what’s up, what’s the trend, etc.  I was struck yesterday by one particular site that was very emphatic that they only used Hobbs 100% cotton batting.  In fact, this particular location rented out their machines, and if you wanted to rent their machine, you could only use Hobbs 100% cotton batting as well!

I’m trying to figure out the reason for this.  First, there are a number of different types of batting out there besides 100% cotton batting, and a different type of batting may suit your needs better (see my article on batting choices).  Hobbs itself carries multiple types of batting.  At Houston Quilt Festival this year, 80/20 Cotton/Poly seems to be the new batting of choice for the super-professional quilters.  So, think about your other quilting choices.

Then, why Hobbs?  Hobbs is great batting, no doubt, and has been around for a long time.  It’s also pretty expensive.  My guess is that this particular location has an agreement that they will only carry Hobbs batting, which is fine.  However, why force people to use Hobbs if they bring their own batting?  There are now a number of manufacturers of quality batting in the US — I use Quilter’s Dream batting (carries unique batting types) and Winline Textiles (close to me in Utah), and their products are top-notch as well, and more cost-effective than Hobbs.  Of course, I would not support a batting company that imports from China — only “made in USA” products for me!

I guess my point is that if your longarm quilter forces you into a very narrow selection of batting, push back.  Your particular project may not match well with their preferred system.  Your quilter should be knowledgable about the different types of batting, and which type will fit your individual quilt best.  Don’t let your longarmer be a batting snob!

By the way — if you supply your own batting to your longarmer, don’t forget that it’s just like your backing — it needs to be 4″ larger than the quilt top on all dimensions (8″ longer and 8″ wider) due to the way the longarm frame works.  Cheers, and happy new year!

New tools for longarmers – things to buy after Christmas!

December 27th, 2010

For those of you out there with longarm machines, I found two great tools over the holiday that will make your life soooo much better (I have no affiliation with either of these companies; I just like their stuff):

Kayline Stool

1.  Renae’s Red Snappers — this is the greatest thing to happen to long arm quilting since zippered leaders!  It’s a new clamp device to load your quilt — it dropped my loading time from about 1/2 hour to 5 minutes!  Go get these things!

2.  A hairstylist stool on wheels, like this one I got at amazon.  These are saddle stools that allow you to get right up to the quilting frame and quilt while not putting all that weight on your feet.  I’m in a basement, so I’ve never been able to find enough floor padding to make me happy after a day’s work.  The stool is great, since I’m pretty much upright, but sitting.  I can very smoothly scootch around the quilt — even easier than the quilter’s stutter step!

I think these were both well worth the money — check them out!

Strategies in buying a longarm quilting machine

December 25th, 2010

Well, we’re getting close to the new year, and you may have a big bonus burning a hole in your pocket — thinking of buying a longarm?  Here’s some questions you might want to consider.

1.  Stand up — or sit down?

One new popular concept in the long-arm world is taking the traditional longarm machine (12-30″ throat depth) and embedding it in a table, so it looks like your “domestic” sewing machine, but has a much, much bigger throat space.  This eliminates the need for the 10-14′ frame, which is very attractive to some people.  However, as far as I know, no one yet has figured out how to do this with a stitch regulator.  (The stitch regulators work with that 10-14′ frame, and when the machine is on a table, there’s nothing for the stitch regulators to work with).  You control the stitch length with a combination of a foot pedal and how fast you move the fabric, just like in a domestic machine.  Another advantage of a sit-down machine is that it is generally cheaper.

Personally, if you have the space, I would go for the stand-up version.  This doesn’t mean you can’t sit while quilting — I just got a hair-stylist stool that works great with my 12′ ABM Innova machine.  Frames have the advantage of stitch regulation, easier quilt sandwiching (just roll onto the leader bars), and the possibility of a computer add-on.

2.  How much can you spend — and can you spend more?

Budget is a crucial consideration when buying a longarm.  Although you can buy longarms fairly cheaply, (about $6,000 is a good place to put a starting point), you may not want to buy at the lower end.  For one thing, used longarms at the lower end are very, very difficult to sell used once you decide you want to upgrade.  Oh, and you’ll want to upgrade — there’s reasons that the lower-end longarms are cheaper — they’re missing some critical features, like functioning, capable stitch regulators.  Think about spending a minimum of $10,000 for a machine — add another $12,000 on top of that if you want to make it a computerized, robotic machine.

If you just panicked and thought that there is no way possible you can pull together that kind of money, there is an alternative — used machines.  Sometimes Craigslist will have them for sale, but a reliable way to go is through Long Arm University — they have a listing of good, used, longarm machines that may be a match for you.  Getting the machine shipped to your house could be a bear, but it may be worth it at the end.

3.  How big of a machine / frame do I get?

Most machines start out with an 18″ throat — this is really too small, and should not be considered, in my opinion.  If you are ever planning on doing customer quilts, an 18″ throat is not capable of quilting a 12″ block on point.  You’ll have to break it up into two separate passes, which is really annoying.  I would avoid an 18″ machine unless you only do quilts for yourself, and you know you’ll never get into that situation.

A new medium length is 22″ — this is actually pretty cool.  You can do that 12″ block on point, and it is still small enough that the frame doesn’t swallow a huge space in your quilting room.  If you are planning on hand-guiding the machine, this is a good option to consider.

The longer machines, 26″ and longer — are really best for quilters that are planning on using a computerized system with their machine.  This gives you the largest quilting space for your computer to work with.  I have a 26″ ABM Innova, and it is great having all that throat space with my AutoPilot computer.  However, when I hand quilt, it is awkward to stretch over that entire space, and I generally don’t hand-quilt the full 22+” of working space that I get with that machine.  So, if you’re looking to computerize your machine, get as long as a throat depth as you can.  Otherwise, I think you can save some money by shortening the throat space a bit.

In terms of frame length, 10′ is the shortest you should consider.  10′ frames are the default for those lower-end machines, which should tell you something.  You might think a 10′ frame will be sufficient for all your needs — that’s 120″, and who has a quilt larger than that?  Well, a 10′ frame doesn’t really give you 10′ of working space — you need to be able to reach the bobbin underneath the machine, and clamp on the backing to the frame on the sides.  Subtract about 12″ from any frame length to give you the maximum “workable” space.  For a 10′ frame, that’s now 108″, and you may run into a larger quilt than that every once in a vast while.

That’s why most people go with a 12′ frame if possible (how long is your room?).  a 12′ frame gives you 132″ of working space, which will cover all of your needs.  Some manufacturers will also offer a 14′ frame, but it doesn’t really seems necessary.  I haven’t seen a working quilter with a 14′ frame yet.

4.  What brand should I get?

I know, at this point, you expect that I’m going to say that ABM Innova is the only way to go!  I am a sales rep for the Innova systems, after all.  However, to be honest, it ultimately comes down to which machine you feel most comfortable with “driving”.  I would stick with the good brand names — Innova, Gammill, APQS, A-1.  There are a plethora of new, secondary, machine brands out there.  Take a look at the shape of the machines —  a number of companies have OEM’d a different machine and are placing it under a different brand name in an attempt to break into the market.  Stick with the companies that actually make their machines.

One other thing to consider is the technical support provided.  These machines are heavy; you can’t readily take them to a local dealer.  (Which is why a local dealer isn’t necessarily a must, although it is a nice thing to have).  What you really need is an 800 number that you can call Sunday night when you can’t figure out a problem, and your client’s quilt is due Monday morning.  Innova, for example, has a 24/7 help line.  When I was first starting out with the machine, I would call it relatively frequently (Mike walked me through the timing process, for example).  Now I hardly ever call it, but it’s good to know it’s there.  Ask the company you’re going to buy from what their support is.

Find out who “runs” the company.  Are you going to be able to talk to someone directly about product issues or upgrade requests?  Do you have a direct line into the company — do they care about their customers?  This is the equivalent of buying a car, and you want to make sure that this machine will last you a long time.

5.  Robot or Not?

Finally, you might be asking if you need a computerized machine.  You don’t, really, although if you get one, you can do really complicated, intricate work without spending the years building up hand-eye coordination.  The other advantage of computerized machines is that they work while you do something else — program in a panto, and work on piecing that new quilt while the computer stitches for you.  You do have to have some computer-savvy to run a computerized machine — I wouldn’t go for this if “windows” means only clear panes of glass to you.

If you do want a computerized machine, start planning this purchase when you buy your longarm.  Some companies make you buy the robot along with the base longarm, which can get very expensive.  Other companies outsource their computer systems, which I personally don’t like (I like dealing with the same company for both sides of the machine; I think the integration is smoother).  There are very, very cheap computerized systems out there — beware!  Here, you generally get what you pay for.  Shoot me an email or comment if you want to talk about this; I’ve gone through three different brands of computerized systems so far, and have lots of opinions here.

Well, there we go — some initial thoughts to get you started.  If you’re interested in an Innova, or have questions on buying longarm machines, feel free to contact me – I’ve been longarm quilting for 5 years now on three different systems, and I think I can help you avoid the mistakes that I made!  Good luck, and fruitful quilting!

Before you ship your quilt…

December 20th, 2010

Let me say straight out that Longarmers cannot perform miracles.  I recently got a quilt from a quilter that had never shipped a quilt to a longarmer before, and we ran into a bunch of different problems.  Here’s some lessons learned that may help you out:

1.  The quilt backing needs to be 4″ greater than the quilt in all dimensions (that is, 8″ longer and wider than the quilt top).  This is for two reasons:  because we stabilize the backing side-to-side with clamps, the clamps cause some distortion to the backing.  Having 4″ on each side dissipates the distortion, so you don’t notice it by the time the quilt top matches up with the backing.  Also, it allows for space for the clamp itself! Then, having 4″ on top and bottom allow us to pin or attach the backing to the frame.  We need this extra space because we can’t quilt on top of the frame leaders.  Also, because the quilt rolls up onto rollers on either side of the frame, the backing has to be slightly bigger than the quilt top to account for this.  (Think of rolling up a phone book and how the pages spread out).

2.  Don’t piece your backing any more than necessary.  Backing is under tension, and extra seams do not help.  Also, remember that longarmers cannot exactly match backing seams to front seams — we do not pin the quilt together like you do when you quilt a quilt on a domestic machine.  We do our best, but ultimately cannot control the backing exactly with the top (see the phone book point above).

4. Try to pick a backing that matches the thread you want to quilt the top with.  No matter how much we mess with the tension, we cannot always get a black top thread and a white backing thread to perfectly knot in the center of the batting.  Tension shifts as the machine goes through curves and different directions, and it is impossible to avoid some “pokies” with really dramatic thread differences.  Having similar backing fabric and top thread choices alleviates this issue.  Or, if you want, you can quilt with the same color thread, as long as you are willing to have contrasting thread on the back.  Your choice.

5. By the way, your batting, if you supply it, has to be 4″ greater than your quilt top all around, too — just like your backing.  This gives your longarm quilter space to work in, just like the backing.

6.  Make a good attempt to clear out extra hanging threads from your quilt, especially if you have dramatic color changes.  We do our best at picking up stray threads, but the worst thing that can possibly happen is a dark color thread falls off your quilt top into a light block, and it is not noticed until the quilting is done.  You can help reduce this risk by making your quilt as clean as possible, and removing any stray threads that you can.  If you press your quilt ahead of time, you can ensure that all your seams are going in the right direction, and you’ll catch all those threads at the same time.

I hope this helps explain some of the strange requests your longarm quilter makes!

Why wonky borders occur and how to prevent them!

December 29th, 2009

This has been bugging me for a while, and I’ve never seen it explained quite right (in my opinion), so here’s my attempt.

Wonky borders, or dog-ear borders, are what you get frequently at the end of a long-arm quilting process (see Figure B).  When you piece a quilt, and here in my very basic drawing I’ve just sewn a bunch of squares together (Figure A), all of the seams are locked together — except the ones on the outside!  As quilters, we do not tie off our seams when we piece, so those end-seams are somewhat loose.

Dog-ear Quilt effects

Figure A: The pieced Quilt. Figure B: What can happen on a quilt frame if the end seams are allowed to open

When you take the quilt on the longarm frame (here we are assuming there is no border), the top is generally forced to be square to the frame.  Then, as the quilter quilts and advances the quilt down the frame, if the quilter is not exceedingly careful to keep all the stitching lines straight, those edge “open” seams will give a bit, and start to stretch downward (Figure B).  If each seam stretches only slightly, say 1/32″ of an inch or so, but your quilt has small blocks (say 64 down a side), you could get 2″ of stretching before you’re done!  As a result, you get the dog-ear effect shown in the picture.  As a quilter, I use a 90-degree laser level to ensure that all of the seam lines are parallel as I quilt to prevent this from happening.

However, this is important to you as a piecer as well!  Let’s say you’ve finished off your quilt, and you’re ready to throw on those borders.  If you do like I used to do, and just whip those borders on, you may be in trouble.  I always had a tendency to “pull” on the quilt a bit to make sure it was feeding straight into the machine.  Guess what?  I just opened up all of those edge seams, and now I’ve just created Figure B again, but now with a border that your friendly longarm quilter cannot adjust for.   That’s why it is so important to pin that first set of borders to prevent this from happening.  You might even spray-starch your quilt ahead of time to make sure those seams are stable.  It’s even more important for borders, because you can tug on these seams on all four sides, resulting in “wonky borders”.   The longer edge of the quilt still tends to get more distorted, just because of the number of seams involved.

So, here you go — why you can get wonky borders and how to avoid them!

Batting — What to pick?

October 17th, 2009

Wow, batting choices have certainly proliferated over the last few years, haven’t they?  I think the choice of batting is darn important when finishing your quilt — don’t just run out and get a cheap JoAnne’s batt, or take the only batting that  your longarm quilter has on hand.  I use Quilter’s Dream Batting, which you can get through your local quilt store or through me.  There are other quality brands out there, but Quilter’s Dream allows me to custom-order the batting for my clients, so I go with them.  Regardless of which brand you choose, the type of batting is crucial.  Here’s some general guidelines to consider:

  1. Cotton Batting — the classic.  Heavy, though, and shrinks when you wash it.  If you want the “classic” antique quilt look, this is one way to go.  I don’t use this much any more, because of:
  2. Cotton/Poly Blend — the improvement to the classic.  Not as heavy as cotton, still shrinks some during the wash (typical mix is 70% cotton / 30% polyester).  A good, cost-effective batting for most quilts.
  3. Polyester — much lighter than cotton, does not shrink.  If you don’t like the “antique” look after you wash your quilt, this is the most cost-effective way to go.
  4. Wool — the greatest batting for quilts to be used as bedspreads.  Wool is more breathable than cotton or poly, has a nice puff to it, and it is now machine washable.  The price is comparable to cotton, and is lighter and drapes very nicely.  This is my new favorite batting.
  5. Child-protective batting — if you are making a crib quilt, get flame-resistant batting.  The problem with polyester is that it is very flammable — if a quilt is lit on fire, you get a lot of burning effect very quickly.  Flame-retardant battings (like Dream Angel) do not burn easily.  This is the best batting for a quilt crib or a situation where the person cannot independently get out from under the quilt.
  6. Recycled batting — Quilter’s Dream now has “Dream Green” batting made from recycled plastic bottles.  This stuff is actually quite good!  It drapes very nicely and generally behaves like polyester.  Don’t use it on a white quilt, though, as the batting is shaded green!
  7. Poofy Batting — Do you really want that poofy effect?  Then get batting designed to do just that.  Dream Puff is super-poofy and gives that quilted look very nicely.

Okay, now you have a batting type guide.  What thickness should you get?  Really thin batting has been very popular over the last few years, but I’m not a huge fan of it.  It tends to disappear in the quilting, and you have more of a blanket than a quilt.  I always recommend at least the middle-thickness (weight) batting.  If you choose a contrasting thread on top and bottom, choose a thicker batting, so that your chances of “pokies” (top thread showing through to the back in the stitching knot) is minimized.   If you use coordinating threads, this is not so much of an issue.

I hope this helps!  Contact me if you need any help with your batting choices!

ABM Innova Discussion Forums

September 24th, 2009

There have been some questions on where people can go to discuss and learn about the ABM International Innova and the AutoPilot robotic system.  Here are links to the yahoo groups:

http://groups.yahoo.com/group/innova_autopilot/  The AutoPilot discussion group that I moderate

http://groups.yahoo.com/group/ABMLongarm/ The original Innova discsussion group moderated by Carrie Dugan.

http://groups.yahoo.com/group/InnovaLAQ/ The latest Innova group moderated by Sherry Rogers-Harrison.

 

I hope this helps!

So you want to buy a long-arm – why you should buy an Innova (from me!)

September 12th, 2009

You’ve been thinking about this for a while, I can tell.  You really want to quilt large quilts, but hate the thought of shoving all that fabric through the arm of your domestic machine.  You’ve finally decided that you want to buy a car.  Whoops — no, strike that:  You’ve finally decided that you want to buy a longarm quilting machine (which can cost about as much as a car!).  Let me help you with your purchasing decision.

I started out a few years ago quilting on a 9″ Juki 98 on a Hinterberg frame with Max Throat (a system theoretically designed to allow you to quilt larger spaces with a small machine; it didn’t work amazingly well, and is no longer being sold).  After going through some generational upgrades, I finally purchased the ABM International 26″ Innova.  If you are thinking of purchasing a machine, I think you should do the same thing!  In fact, I feel so strongly about this that I became a sales representative for ABM.  Here’s why:

1.  If you’re just starting and want to get into long-arm quilting at a reasonable price, you can purchase the 18″ Innova complete with professional frame for about the cost of the lower-quality machines (HQ16, Tin Lizzie, Grand Quilter, etc.).  Many of the lower-end machines out there are clones of each other (along with their frames) — they all have fundamental limitations because of their need to cut costs.  The Innova 18″ is a fully professional machine, yet still cost-competitive.  Trust me, you want to get as good of a machine as you can — upgrading later can be a pain, because most dealers with not take “trade-ins” of your old machine.  Get what you want, now.  (Ask me how I know this….)

2.  If you want to become a professional quilter, you need a machine that has good support.  Innova has 24/7 toll-free telephone support — really.  I got my machine over Easter weekend; I had a question, called support on Easter Sunday evening, and immediately my problem was resolved by Michael, the father of the CEO.  Yes, ABM is a family owned company — the “M” in ABM is for Michael, who enjoys talking to and supporting quilters.  Try that with any other company.

3.  Hopefully, you don’t need support.  The machine should work all the time.  And the Innova does just that.  Once I got my Innova up and running, I haven’t had to call that support number once.  (Maybe that’s why ABM can afford to do it!).  If you join any of the yahoo ABM groups (do a search on ABM Innova), you’ll find that there is no grumbling on machine problems.  Join some of the other groups from other manufacturers and compare — no problems are unheard of.

4.  You want a machine that is the best engineering to date, and a company that is continually working to improve their machine.  Because Innova is a relatively new player to the home longarm market (despite making industrial versions of these since the early 1900′s), they are agressively courting quilters.  As a result, they are continually coming out with new improvements and add-ons to their system.  And, these improvements and add-ons are plug-and-play!  Everything in the Innova design is modular — you can buy what you need now, and add on future improvements later.  Other companies have massive retrofit fees and workarounds that result in ugly systems.

5.  Toys.  (Oh, maybe I should say “extra features”.)  I love things that make my life easier and more efficient.  Innova has so many features to their frame and machine system that are simply not available anywhere else — from the powered takeup roller to the integrated crosshatch system to the pivot buffer roller.  New features are coming out soon as well!  The advantage of having engineers design your system is that they are always coming out with new features.  Way cool.

6.  If you want to go computerized, you want a machine that the robotic system integrates with seamlessly.  I’ve used 3rd-party robotic systems, and it can be a pain coordinating between two companies when you have issues.  The robot that Innova sells (the AutoPilot) is the same basic robot that they use in their proven industrial machines, so you know it will work perfectly.  The software is designed in house, so you can quickly communicate features you need and the software program will be updated.  No waiting three years for a new software version like other manufacturers.

I hope I’ve convinced you to seriously consider the ABM Innova for your longarm purchase.  I can help you further — contact me and I can provide you more details.  If you purchase from me, you’re purchasing from a professional quilter who uses this machine on a daily basis.  I can give you all the ins and outs, useful tricks, and detailed support on the computerized Innova AutoPilot system.  If you live locally in the Colorado / Wyoming area, you can stop by and play with the machine and the AutoPilot yourself.  I hope I can help you learn to love the Innova as much as I do!